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Movie Reviews

The English Surgeon

A good documentary does more to stimulate my mind than the best fictional films. The English Surgeon is above and beyond a spectacular documentary. Most scriptwriters couldn't dare compete with the sheer drama and uncomfortable tension filmmaker Geoffrey Smith captures in his real-life story of English neurosurgeon Henry Marsh, who became fed up with the inability of Ukrainian doctors to treat patients in need of brain operations and decided to do something about it. When a young Ukrainian man needs an operation to remove a tumor in his brain, Doctor Smith is his only hope for long-term survival. Unfortunately for this patient, modern luxuries are nowhere to be found in modern-day Ukraine and the only the way the operation can move forward is by using nothing but local anesthetics to reduce the pain of drilling thru the scull and scraping away the cancerous cells growing on his brain--In other words, doing the entire operation while completely awake and conscious. Beyond the unbelievable situations throughout the film, the simple message of humanitarianism shines.  In today's consumerist smorgasbord of a world we live in, it can be easy to forget the simple things that make being a fellow human being a rewarding experience. This film helps remind us. -Clayton Hauck

Podcasting

Brain Stuff.
(itunes link, web link)

HowStuffWorks.com offers a nice variety of interesting podcasts but the first one I stumbled upon was Brain Stuff. It's a short but sweet look into, well, how stuff works. Each podcast gives a straight and to-the-point explaination on a wide variety of topics of which you are sure to find a few that interest you.

see all podcast reviews..

Entries in tim kashner (1)

Wednesday
Dec012010

Show Review: Tim Kasher at Schubas

Tim Kasher - Schubas (11/20/2010)
reviewed by John Ronzani

“We’ve only put out one album,” the notoriously drunken Tim Kasher soberly announced early in his November 20th set at Schuba’s Tavern in Chicago.  ”So we’re gonna be playing some older songs tonight.”  He and his four-piece band then followed with a rousing rendition of “You’re No Fool” from 2004’s excellent “Album of the Year” (that’s the title).  It was no surprise that Kasher scattered songs from his quieter and more introspective band, The Good Life, across his set list on this night.  What surprised and delighted the capacity crowd, however, were the two climactic end-of-set songs that he wrote for the band and the album that garnered him his greatest fame.  

Cursive’s “The Ugly Organ” is angsty.  It’s bitter.  It’s volatile.  Not qualities you’d expect from a singer-songwriter type show.  But with just an acoustic guitar, drums, bass, keys, and the occasional melodica, Kasher and band delivered memorable renditions of “The Recluse” and “Driftwood: A Fairy Tale”.  As the latter reached crescendo and the entire sold-out crowd screamed, “Liar, liar!” with Kasher, the energy in the room was palpable and left me with goose bumps.  As a concert-goer you live for those types of moments and don’t soon forget them.

While that was the most indelible moment of the night, the rest of the set was tight and energetic.  The band shined on new songs, “I’m Afraid I’m Gonna Die Here” and “Bad, Bad, Dreams”.  And when things became quieter on the stripped down “Strays” and “Prodigal Husband” the audience was attentive to each lyric - and, after all, that’s really what it’s all about.  

Some guys write love songs.  Kasher “thinks he should probably write a love song” within a love song. Some guys write about sex.  Kasher writes about a problem libido leaving him wanting to “lop the thing right off”. Some guys write about missing lost loves and wanting them back.  Kasher writes about wanting to fuck old girlfriends as conquest and drunkenly e-stalking acquaintances at all hours of the night.  It’s specificity, it’s self-awareness, it’s over-sharing, it’s nuance, and it’s honesty.  And when it all comes together live as flawlessly as it did at Schuba’s on this night, it makes for a great fucking show.

Pitchfork Scale: 9.5/10